- Introduction: “‘The Decay of Lying’: Wilde’s Paradox in Earnest” - Nathalie JAECK
- Foregrounding and Backgrounding Intimacy in Family Narratives: The Ethics of Representing Children in Maggie O’Farrell’s I Am, I Am, I Am and Sally Mann’s Hold Still - Arnaud SCHMITT
- Fortitude, GARBO et le rempart de mensonges - Mona PARRA
- Lying in Sam Taylor’s The Island at the End of the World - Helen E. MUNDLER
- Doubt vs. Lies in Malcolm Bradbury’s Doctor Criminale - Lilia MIROSHNYCHENKO
- Do We Lie to Ourselves? Making Sense of the Past through Inaccurate Memories - Giuliana MAZZONI
- Une vie à se mentir : The Life and Death of Harriett Frean (1922) de May Sinclair - Florence MARIE
- Lies that Tell the Truth: Maxine Hong Kingston’s The Woman Warrior: Memoirs of a Girlhood Among Ghosts - Christelle HA SOON
- Cold War Anxieties, Patriotism, and Religious Antinuclearism in the Texas Panhandle - Lucie GENAY
- Mensonge intime, soupçon collectif : La Notion de péché dans Before, During, After de Richard Bausch - Yves DAVO
- Lying in the Practice of British Diplomacy - Richard DAVIS
- Three Shakespearean Liars - Rowland COTTERILL
- “Truth to the fact and a good spirit in the treatment” Lying and Truth in Robert Louis Stevenson’s Pivotal Years - Robert-Louis ABRAHAMSON