Proposals are sought for papers to be given at an international conference on Suspicion. The first part of the conference will take place on 9-10 April 2020 at Bordeaux Montaigne University (France), and the second part on 8-9 April 2021 at the University of Verona (Italy).
The first part of the conference, in Bordeaux, will focus on suspicion in politics, cultural studies, and linguistics; the second part, in Verona, will be concerned with suspicion in literature, film, and visual studies in general.
The conference seeks to explore the ways in which Anglo-American cultural practices and Anglo-American literature define, re-define, and question the notion of suspicion.
Etymologically suspicion—from the Latin sub-specere, to look up at, to regard with awe, to suspect—refers to the way someone or something is looked at. But suspicion has become a synonym for mistrust—whether or not there is proof of wrongdoing. Hence the recurrence of the word in the titles of works belonging to the genres of crime fiction and cinema: Alfred Hitchcock’s 1941 movie, Suspicion, starring Gary Grant and Joan Fontaine, is one example. In 2015, two books bearing the same title were published in the United States: Suspicion by Alexandra Monir and Suspicion by Joseph Finder. While Finder is considered a “master of the modern thriller” (Boston Globe), Monir, a young Iranian-American writer, specializes in science fiction and thrillers for young adults. Since popular culture often feeds on suspense, the result of mystery (or merely uncertainty), suspicion reigns supreme in popular culture—in novels, comics, and movies.