L'ouvrage Contemporary Photography as Collaboration, dirigé par Karine Chambefort-Kay (Imager/UPEC) et Mathilde Bertrand (Climas/UBM), rassemble des contributions de chercheurs et de photographes internationaux autour des pratiques collaboratives en photographie (production, conservation et archives, enseignement...)
https://doi.org/10.1007/978-3-
La couverture est l’œuvre de Maryam Firuzi, photographe iranienne.
Cette publication a reçu le soutien des laboratoires IMAGER (Université Paris Est Créteil), CLIMAS (Université Bordeaux-Montaigne) et ECLLA (Université Jean-Monnet in Saint-Étienne)
This book explores a spectrum of contemporary photographic practices across the fields of image-making, curating, archiving, teaching, community development and activism that have envisioned photography as ontologically and ethically collaborative. By looking specifically into the contexts where collaborative projects are produced and shown, and into the dialogical relation to the people they engage with ?in hospitals, in prisons, in working-class neighbourhoods, with indigenous people, refugees, women, persons experiencing homelessness, young people? the contributions from practitioners, scholars, and curators show participatory practices to create the conditions for building new subjectivities, or making visible a multiplicity of identities, thus opening up a new politics of visibility. Therefore, this book specifically addresses the political, counter-cultural dimension of collaborative projects, but also their subversiveness in relation to dominant practices within the field of photography: this includes a reinvention of the position of the photographer ?in turns facilitator or project leader? of curating and exhibition models, of archiving methodologies, of photographic education and of market practices.
Ce volume collectif étudie le style de Samuel Beckett au miroir de ses lettres en ce qu’elles donnent une idée de l’évolution de son style épistolaire et littéraire. Il s’intéresse à ses propos métastylistiques et à ceux de ses correspondants, ainsi qu’à la parenté stylistique entre les lettres et l’œuvre.
Palgrave Studies in Life Writing (Palgrave Macmillan)
Unconquerable is John Milton Oskison’s biography of John Ross, written in the 1930s but unpublished until now. John Ross was principal chief of the Cherokees from 1828 to his death in 1866. Through the story of John Ross, Oskison also tells the story of the Cherokee Nation through some of its most dramatic events in the nineteenth century: the nation’s difficult struggle against Georgia, its forced removal on the Trail of Tears, its internal factionalism, the Civil War, and the reconstruction of the nation in Indian Territory west of the Mississippi. Ross remains one of the most celebrated Cherokee heroes: his story is an integral part not only of Cherokee history but also of the history of Indian Territory and of the United States. With a critical introduction by noted Oskison scholar Lionel Larré, Unconquerable sheds light on the critical work of an author who deserves more attention from both the public and scholars of Native American studies.