Borrowing from a wide range of disciplines—philosophy, sociology, history, cinema, postcolonial, and literary studies—these essays reflect on the notion of enclave in history and the arts in the English-speaking world. Earlier versions of these essays were presented at the “Enclave” conference held in Bordeaux, March 11-12 2016.
Illustration de Pauline Pujol.
Numéro dirigé par Remy Arab-Fuentes, Isabelle Gras et James Perosi-Doughty (Université Bordeaux Montaigne)
Introduction. (pp. 1-8)
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Collective Memory and Historiographic Enclaves in the Post-Cold War World: The Korean War (1950-1953) in the United States. (pp. 9-33)
“New Town is without image”: Representations of Enclaves in Cathy Park Hong’s Poetry. (pp. 34-48)
The Enclave in Judy Fong Bates’s Midnight at the Dragon Café: From Prison to Creation. (pp. 49-64)
“Femina feminae lupa est” : L’enclave comme pseudo-refuge social dans deux adaptations cinématographiques contemporaines, The Virgin Suicides et Cracks. (pp. 65-77)
La métaphore pénitentiaire : chambre noire de la libération poétique chez R. W. Emerson. (pp. 78-92)
The Enclave in Brian Selznick’s Novels: a Transient Space for Self-construction. (pp. 93-116)
Making Sense in Isolation: From Wonderland to Gormenghast. (pp. 117-129)
Les récits de l’enclave chez H. G. Wells. (pp. 130-138)
The Island in Robert Louis Stevenson’s The Ebb-Tide and Joseph Conrad’s Victory, or the adventure of an enclave. (pp. 139-150)
“The Imaginary Lines of a Twilight Country”: Fiction as Enclave in Conrad’s Nostromo. (pp. 151-163)
Los Pichiciegos de Fogwill : les hommes-taupes des Malouines. (pp. 164-178)
A Place of Your Own: Looking for a Space Outside the Sphere of Commodification in Don DeLillo’s Great Jones Street. (pp. 179-189)
Remerciements :
Les directeurs de ce numéro tiennent à remercier Nathalie Jaëck, directrice de Climas, et Pascale Antolin, directrice de la revue Leaves, pour leur confiance, ainsi que tous les relecteurs.